The Missouri Stories Scriptwriting Fellowship is an international competition for screenplays and television pilot scripts with storylines set in Missouri.
Three writers’ scripts will be chosen.
Winners receive an all-expense-paid trip to the concentrated fellowship experience, held in Missouri.
Previous industry mentors include:
Bob Gale (Back to the Future)
Angelo Pizzo (Hoosiers, Rudy)
Kathleen McGhee-Anderson (Lincoln Heights)
Philip LaZebnik (The Prince of Egypt)
Submissions for our next session will be open Nov. 1 – 15, 2019.
Jeffrey Field – two feature screenplays
Undelivered: A letter carrier’s sudden death leads to the discovery of a mountain of stolen, undelivered mail, shaking up the lives of people living in a struggling Missouri small town.
Don’t Go There: A housebound senior struggles to stay alive when a mass murderer takes refuge in her home on the coldest night in 84 years.
Jeffrey R. Field scripts have been recognized in such competitions as the Academy Nicholl Fellowship, the Austin Film Festival, the Screencraft Science Fiction Screenplay Competition, the Nashville Film Festival, the PAGE International Screenwriting Awards, and many more.
Born and raised in Kansas City, Missouri, Jeffrey R. Field is a summa cum laude graduate of the University of Missouri School of Journalism and spent most of his career producing television and digital news in Kansas City newsrooms. He currently does communications work in the healthcare industry.
Laura Kirk – feature screenplay
Seekers: A lovable pastor struggles to share her truth with her flock as the winds of change shake a small congregation and town.
Laura Kirk is teaching assistant professor and an award-winning filmmaker with credits as a producer and actor in many films including Andrea Arnold’s Cannes film American Honey (2017), and Slamdance film The Sublime and Beautiful : (2014). A veteran on the independent film festival circuit, Kirk co-wrote and starred one of the first digital films: Lisa Picard is Famous: Cannes 2000.
Kirk began her career on stage off-Broadway and regionally where she was also a teaching artist in homeless shelters and in schools for Dreamyard Drama Project. Laura is a co-founder of the mentoring group “Women of Lawrence Film” where she puts into practice her interests in remedying gender inequity in the film industry. Her research is featured in “When Women Wrote Hollywood” (McFarland).
Michael Doshier – feature screenplay
Branson: When the patriarch of a successful family variety show in a conservative town commits suicide, his gay son must decide if he wants to carry on his family’s legacy.
Michael Doshier is a New York-based writer, musician, and performer. Growing up in Conway, Arkansas, Michael was inspired by his favorite place in the world, Branson, Missouri, where he dreamed of becoming a star.
Michael studied Dramatic Writing at NYU’s Tisch School of the Arts. Playwright and professor Daniel Goldfarb wrote of him: “He is one of themost exciting writers I’ve taught in the past eleven years. His play Good Conversation has the empathy and the humor and the complexity of Kenneth Lonergan’s best work.”
Michael has been on hit web series The Outs, written The Talkhouse and Things Created by People and co-hosted the rising podcast Queers on Queens. Most recently, his multimedia one-man cabaret Johnny Darlin: In the Closet was met with rave reception at both the 2016 New York, and the 2017 Prague, Fringe Festivals. When he’s not writing, Michael continues to perform around New York.
Justin Calen-Chenn – feature screenplay
Metal & Dust: Street life be a trifling motherfucker. After killing her shot caller’s son in self-defense, a troubled young female street gangster is forced to leave town and ask herself the question: can we change who we are?
Born in Santa Fe Springs, CA, and raised partly in Taipei, Taiwan before permanently returning to the USA, Justin Calen-Chenn was, at various points, involved in criminal activities all over Southern California before discovering film and TV for the first time later on and using it to turn his life around. Notable exploits to date for Justin include collaborations with producer Deborah Del Prete, international icon Michelle Yeoh and Mandy Teefey (EP of 13 Reasons Why.) Justin has previously placed in the quarterfinals of the Nicholls Fellowship. He is currently represented by manager Adam Marshall at Management 360.
Andrew Jones – feature screenplay
81 Days: 1953. The largest ransom in U.S. history was paid for a wealthy family’s boy who was kidnapped by a drunken, conniving couple whose bad planning and bad decisions lead to their ultimate capture and execution, all within 81 days.
Andrew P. Jones brings thirty years of experience to every production. Having started in the special effects field, he was able to watch and learn from top directors like Steven Spielberg, Richard Donner, and Harold Ramis. He spent years working on hit shows such as Married With Children, In Living Color, Everybody Loves Raymond, Mad TV, and films such as Batman, Hook, Groundhog Day. In 1997 he co-created a syndicated children’s show called, Field Trip for which Andrew co-wrote and produced 26 episodes, starred as one of the lead puppet characters, and directed many episodes. For the past twenty years he has worked as a producer, director, and/or editor for such hit shows as Naked & Afraid, Nanny 911, Hell’s Kitchen, and for nearly every network from Discovery to ESPN to Playboy. His debut feature film in 2010, Kings of the Evening, won numerous awards on the festival circuit. His second feature, Haunting of Cellblock 11, won best horror film at the 2014 Boston Terror ‘Thon. Andrew currently has five completed screenplays in various stages of development and production, as well as sharing story credit and serving as executive producer on Wild Boar – the directorial debut feature by Oscar winner, Barney Burman.
Margaret Phillips – TV pilot script
Flyover: When a buttoned-up Manhattanite’s life spins out of control, she retreats to her childhood home in Missouri – only to discover that her family’s world is unraveling faster than her own.
Meg Phillips Crespy is a Missouri-based playwright, composer, and author. Her full-length play “Mostly Sweet” was selected as part of Cherry Lane Theatre’s “Tongues” series in 2013, and her ten-minute play “The Pap” was a semi-finalist in the 2016 Pick of the Vine play festival. In addition to numerous plays and musicals, Meg has authored a humorous memoir, “ZenKinky and the Art of (Not Finding) Love on the Internet.” Based on this work, she wrote the teleplay for “The ZenKinky Chronicles,” a webseries available on YouTube. Meg holds a bachelor’s degree in English from Truman State University. When she’s not engaged in more creative pursuits, she can be found with the University of Missouri’s communication team, writing stories that make science accessible to the public.
Nicholas Pangilinan – feature screenplay
The Gashouse Gang: Based on the true story of the Dean brothers who lead a ragtag, never-say-die baseball team that inspires the nation during the Great Depression by winning the 1934 World Series.
Nick was born in St. Charles, Missouri and attended De Smet Jesuit High School. Besides being a first generation Filipino American, he’s also been exposed to different cultures through the twelve exchange students that have each lived with his family for a year. Nick pursued a Film Studies degree from the University of Tulsa and discovered his love for screenwriting. After taking a year off back in St. Louis, Nick traveled to Los Angeles and was accepted at Loyola Marymount University. He graduated as the Film Student of Year of his class and obtained an MFA in Screenwriting. He currently lives in Los Angeles and recently was offered an option for his first feature.
Richard Eschenroeder and Andrew Smith – feature screenplay
Schwinn Varsity: In the summer of 1977, two teenage boys take an epic bicycle road trip across St. Louis in search of a mythical dumpster filled with adult magazines.
Richard has over 25 years of experience in commercial television and film production, He has produced and directed commercial shoots with budgets well over $1 million. He recently has held a position as an executive producer and brand management consultant in the marketing division at a Fortune 500 financial institution overseeing a production team with an annual budget of $2.5 million.
Andy has been living in Los Angeles and working in various capacities of production for over twenty years. In the 90’s he worked for NBC as an assistant to the producer for the comedies “Man of the People”and “The Fresh Prince of Bel-Air”. Later he worked on the Johnny Carson / Jay Leno transition team for “The Tonight Show” before moving on to a job working for Executive Producer Peter Engel on “Saved By the Bell”. Since 2009 he’s worked for Evolution Film & Tape as an Art Director on such unscripted shows as “Desperate Spaces”, “Growing Up Twisted” and “Real Housewives of Beverly Hills”. In 2011, Andy started The Foto Bureau, a small production group specializing in in-house video production and still photography. Clients include Nature’s Gate and Orly International.
Bob Wiley – feature screenplay
Poetic License: A poet/writer struggles to regain his past promise and fame as he searches for the perfect ending to his book – and his life.
Bob’s upbringing in rural southwest Missouri fostered a sense of imagination and a love for passionate stories that expanded his world – and understanding of it. Bob holds a MBA in Finance from University Of Missouri–Kansas City and credits his CEO stints in community banking as invaluable experiences that informs his writing in a profound way. This vision helped forge clarity and a drive to tell stories in which we can all relate. Stories that at their heart are about us, our individuality, our desires, struggles, and secrets. Bob enjoys tennis and is also an avid runner. With his group of friends, he’s run four marathons.
Marlana Hope – TV pilot script
Lineage: Four generations of women within two families, one black and one white, are brought together through changes in perceptions of race, gender and age over the last fifty years.
Marlana grew up on a horse ranch outside St. Louis, Missouri. Following too many brutal winters and a Degree in theatre at the University of Illinois, she headed west and began her entertainment career as a Page at NBC and a PA on the Oscars. She was a writers assistant and later a script coordinator on DESPERATE HOUSEWIVES and the last two seasons of FRIDAY NIGHT LIGHTS. Marlana joined the writing staff of ARMY WIVES for what would be their final two seasons. Currently, she is an executive story editor on Amazon’s new series THE KICKS set to premiere in the summer of 2016.
Michelle Davidson and Jeffrey Field – feature screenplay
No Man’s Land: In a future generation where males are rare and mature into monsters, a plucky teenager begins a secret romance with a boy on the verge of his transformation.
Michelle is a regional Emmy award winning writer and director of the comedic short film A SENIOR MOMENT, also recognized with a Celtx Seed Grant and awards at various film festivals. On the small screen, Michelle hosts a daily entertainment show “Kansas City Live” on KSHB (NBC). She co-hosts and produces “CinemaKC,” a weekly program showcasing filmmakers.
Jeffrey has written 14 feature screenplays. His comedies POP HIT and FOR SALE BY OWNER (co-written with Michelle Davidson) have both been optioned. He is a 2013 and 2014 Nicholl Fellowship semifinalist, a Bronze Prize winner for Drama in the PAGE International Screenwriting Awards and a semifinalist in the Austin Film Festival screenplay competition. Field is a writer/producer/web editor at Kansas City’s KMBC (CBS.)
Dominique Johnson – feature screenplay
Red State: An ambitious Republican struggles to win Missouri’s Senate primary and keep her family together when her sister’s same-sex marriage becomes national news, endangering her campaign.
Dominique is a writer and an actor. Dominique attended Carleton College in Northfield, Minnesota, earning a B.A in History,– while acting in a play almost every term and taking part in International Model United Nations, traveling to such places as Beijing and Montreal. She spent four months living in Morocco, as well as time in Costa Rica and France. Many moons before that, she attended John Burroughs High School in St. Louis, MO. And before that Meramec Elementary school in Clayton, MO, and even before that, A Growing Place Montessori School. In 2014, she was a 2014 Academy Nicholl Fellowship QuarterFinalist. Dominique now lives in New York, though a Missourian born and raised.
Steve Clark – feature screenplay
Searching for Jesse: A sailor’s search for a notorious ancestor meets a librarian’s bittersweet life.
Steven Clark was born in 1952 in Bonne Terre, Missouri. He served in the U.S. army and graduated in 1980 with a B.A. in English from the University of Missouri-St. Louis. His play The Love Season won Source Theater’s 1985 Best Play award. His novel The Green Path was published in 2012, and his novel The St. Louisans will be published in 2016 by Walrus Publishing. His stories have appeared in Black Oak Presents, Mozark Press, and UMSL Litmag. His play The Buffalo was part of the Spectrum Theater’s 2011 festival, described by KDHX as ”…the most important play of the evening…” He has performed with St. Louis Shakespeare and St. Louis Early Music. Staged readings of his plays The Countess of the Dial and Hypatia were part of the University of Missouri-St. Louis Woman’s History Month celebrations.
Peter Hanrahan – feature screenplay
Cloister: A private detective investigates the murder of a Carmelite nun and uncovers a conspiracy that leads to the Archdiocese.
Peter Hanrahan received his MFA in Playwriting from Rutgers University and graduated with a BA in English from Washington University in St. Louis (Phi Beta Kappa). As a playwright, his plays have been read, work shopped and produced by various theater companies, including the Arena Stage in Washington, DC.His play Prize Inside was published in The Best Ten-Minute Plays of 2007 (S&K). As a screenwriter, he has placed among the top 30 entrants in the Nicholl Fellowship Competition. He has several screenplay projects in development, including The Lowlands, which is in preproduction. He lived in Los Angeles for several years, where he worked as one of two in-house Story Analysts for the United Talent Agency. He continues to serve as a freelance consultant for the United Talent Agency, as well as for Jennifer Lopez Entertainment. He currently lives with his wife and daughters in Saint Louis, Missouri, where he teaches classes in film and theater at Saint Louis University.
Peter Mayer – TV pilot script
City of Blues: St. Louis, 1958. A blues club owner finds himself in the middle of a war for control of the Mississippi riverfront.
Mayer is an actor and writer living in St. Louis. He studied in the graduate acting program at Catholic University, under the direction of Academy Award winning actress Mercedes McCambridge, before touring for two years with the National Repertory Company, performing the works of Shakespeare throughout the continental U.S. He was a featured player on the daytime drama Guiding Light, co-starred with Paul Winfield in the ABC drama Crossroads, and was seen as Paul Sumner on the NBC series The Playboy Club. He appears regularly in St. Louis theaters and was named the 2011 Actor of the Year by The Riverfront Times.
Michael has developed projects with or for Universal Studios, Disney Feature Animation, Intrepid Pictures , Paradox Entertainment, The Canton Company at Warner Brothers, Imagine Entertainment, Producers Paul Schiff, Sean Daniel, Lawrence Bender, Branko Lustig, Directors Thor Freudenthal, Mike Newell, Shintaro Shimosawa, fellow WGA writers Evan Spiliotopoulos, Jonathan Hensleigh, comic book icon Stan Lee, and actor/producer Dustin Hoffman to name a few. He is an active WGA member and co-created the WGA’s first ever Mentor Program for the newest members of the entertainment industry scriptwriters’ union. He also originated the column in Ingénue Magazine about the business of screenwriting entitled “Script Notes,” which has been picked up by Script Magazine. His education includes two years as a USC undergrad, a B.F.A. from New York University’s Tisch School of the Arts, and graduated from UCLA’s School of Film and Television, professional screenwriting program.
Josef’s TV credits include staff writer on the CBS series SEAL Team, BET series Being Mary Jane and producer for America’s Most Wanted.
Sawyer has also taught courses in Screenwriting and Journalism at Cal State LA. He holds two Masters degrees, one from University of California, Berkley in Broadcast Journalism and one from University of Southern California in Film. He attended Howard University as an undergrad in Journalism.
During the intensive, three-day fellowship retreat, the writers were joined by accomplished industry mentors who participated in “workshop” group conversations and one-on-one mentor sessions.
During Valerie’s 20+ years as a member of WGAw, she has written on one-hour drama series for CBS, Lifetime, and Showtime. Credits include Co-Executive Producer/Writer on the drama series, Any Day Now on Lifetime Network. Her episode “Family is Family” was nominated for a GLAAD Media Award, and Consulting Producer/Writer for the drama series, Soul Food on Showtime Network. Valerie is one of four Syd Field Screenwriting Method Instructors trained by Mr. Field and was appointed Creative Director for Syd Field – The Art of Visual Storytelling. Valerie wrote the screen adaptation of the novel Tempest Rising by Diane McKinney-Whetstone, with the production company of actor/director Phylicia Rashad and is also a Co-Executive Producer/writer for the in-development mini-series Tulsa for OWN (Oprah Winfrey Network).
Marlana grew up on a horse ranch outside St. Louis, Missouri. Following too many brutal winters and a Degree in theatre at the University of Illinois, she headed west and began her entertainment career as a Page at NBC and a PA on the Oscars. She was a writers assistant and later a script coordinator on Desperate Housewives and the last two seasons of Friday Night Lights. Marlana joined the writing staff of Army Wives for what would be their final two seasons. After a season as an executive story editor on Amazon’s The Kicks, she joined Grey’s Anatomy as co-producer.
Currently living in Colorado, Sibyl spent 25 years in Los Angeles, making a living by writing one-hour drama for TV. After several years in production (at fledgling MTV and the New York cable TV scene), She moved to L.A. Her produced TV credits include: Law & Order, Judging Amy, Profiler, Any Day Now, Joan of Arcadia, Saving Grace, Hawthorne, and Nashville. She has also written 10 screenplays, one of which is in development with Denver-based producers.
Paul was born in a small desert town. Prior to finding his passion for the written word, Paul exercised his imagination during his early years converting the side yard of his boyhood home into the great football stadiums and golf courses of the world. While that extracurricular imagination did not serve him well in school—Paul spent 61.7% of his elementary years in the principal’s office—it did form the beginnings of a writer. Most recently, Paul served as co-executive producer for The Librarians, with other TV credits including: Leverage, Judging Amy, and Felicity. His feature, Geostorm, starring Gerard Butler will be in theaters in October 2017.
Angelo grew up in Bloomington, Indianna. He is a writer and producer who began his film/television career with Warner Brothers Television. He is best known for writing the screenplays for Rudy and Hoosiers. His feature film, Game of Their Lives, was set in 1950’s St. Louis and told the story of the World Cup soccer team. The film starring Gerald Butler and Wes Bentley filmed in St. Louis and Brazil.
Ken grew up in Columbia, Mo. Together with Garrison Keillor, LaZebnik co-wrote director Robert Altman’s last film: A Prairie Home Companion, starring Meryl Streep, Lindsay Lohan, and John C. Reilly. LaZebnik also wrote the Lionsgate film Thomas Kinkade’s Christmas Cottage. It stars Peter O’Toole as the popular painter Thomas Kinkade’s mentor; Marcia Gay Harden plays Kinkade’s mother. For television, he has written on series as varied as Touched By An Angel, Providence, and Star Trek: Enterprise. In 2012 LaZebnik wrote an episode of Army Wives, and is currently writing for an upcoming Hallmark Channel show, When Calls the Heart.
Bob was born in University City, Missouri. He received his B.A. in Cinema from the University of Southern California, where he met Robert Zemeckis. As screenwriters, Gale and Zemeckis collaborated on films including 1941, I Wanna Hold Your Hand, Used Cars, Trespass, and the Back to the Future trilogy. In 1985, Gale and Zemeckis were nominated for an Academy Award in honor of their screenplay for Back to the Future. Also, Gale has written comic books including: Ant-Man, Batman, and The Amazing Spider-Man. In 2002, Gale debuted as a feature-film director with Interstate 60: Episodes of the Road. Recently announced, Bob Gale and Robert Zemeckis are working on a stage musical adaptation of Back to the Future, expected to be released in 2015, which is the 30th anniversary of the film.
Kathleen earned a BA from Spellman College and an MFA from Columbia University’s School of the Arts in Film. Her television credits include: Benson, Webster, Charles In Charge, Gimme A Break, Amen, 227, The Cosby Show, Touched by An Angel, 413 Hope Street, South Central, and Any Day Now. She was the Executive Producer of the fifth season of Soul Food, for Showtime, and for four seasons was the Executive Producer /Showrunner of the critically acclaimed series, Lincoln Heights for ABC/Family. McGhee-Anderson has written feature films for Columbia Pictures, Paramount Motion Pictures, Bruckheimer Films and Twentieth Century Fox Films. Jersey Films/Sony produced her film, Sunset Park, and the movie The Color of Courage. She has developed and sold long-form, mini-series and pilots to NBC, Fox, CBS, ABC, USA, Showtime and PBS. McGhee-Anderson’s theater work has been developed and produced in conjunction with The Arena Stage, The Mark Taper Forum, The Crossroads Theater Company, The Vineyard Playhouse, The Harold Prince Music Theater and The Julliard School in repertory. Her plays, Jump at the Sun and Mothers, were produced by LA Theater Works, broadcast on National Public Radio and taught in secondary school throughout the country. She has twice been selected as a Eugene O’Neill Playwright by the prestigious Eugene O’Neill Theater Center in Waterford, Connecticut. Kathleen lives in Venice Beach, California and Oak Bluffs, Massachusetts.
Philip was born in Ann Arbor, Michigan, and raised in Columbia Missouri. He attended Harvard University, where he studied Ancient Greek language and classics. He was briefly a professional violinist for the Boston Ballet Orchestra, the Boston Pops and the Tanglewood Festival Orchestra. He wrote the book, music and lyrics for more than twenty musicals and plays. Philip LaZebnik is a screenwriter, television writer and producer. LaZebnik’s screenplays include Pocahontas, Mulan, and The Prince of Egypt. LaZebnik’s television credits include: Almost Home, Star Trek: The Next Generation, and Wings. He has served on the Board of Directors of the Writers Guild of America, and the Writers Branch Executive Committee of the Academy of Motion Picture Arts and Sciences.
Gone Girl (shooting script)
Ozark, pilot script
Resurrection, TV pilot script
The “How to Write a Screenplay” Workbook, screenwriting.info
7 Ways Writing a Screenplay is Different than Writing a Novel, writersdigest.com
International Screenwriters’ Association, list of screenwriting blogs
MoStories mentor, Valerie Woods, shared this Getting to the First Draft session.
2018 MoStories mentor, Valerie Woods, shares her knowledge on TV and episodic structure.
MoStories mentor screenwriter, Ken LaZebnik, shared these sessions (audio) on Getting to the First Draft and Writing for TV at the Missouri Stories Scriptwriting Fellowship workshop held July 22, 2017. (Turn your sound up!)